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“Mebbe you’re right, Moses; mebbe the seed was no good,” sighed Mrs. Wopp. “Anyhow, it’s too late now to put in any more. We carnt know ef the heart o’ a seed is good no more nor we kin know the heart o’ our next-door neighbor. The seed may ’pear to be good enough from the outside, yet arter all be mighty lackin’.” “Moses, ef you hev finished yer supper, change yer good clothes an’ go git the cows,” directed his mother. “Betty run an’ fasten up the hens, else the coyotes’ll git them.” “And I’m always going to be your little girl, too,” the child pleaded; “so Billy must be my papa’s little boy.”.
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Conrad
Billy had the excitable musical temperament. He spent his forces lavishly, and it was because of this that he was a leader; could think and act quickly in emergencies, as when he saved the operetta from failure. Edith and her mother knew that he had lived hard through the past few weeks, that next to Edith herself he had carried the entertainment, though Jean had been a host also. So it pleased Mrs. Bennett that afternoon to see Billy start off alone for the country. When Edith planned to turn her pupils’ recital into a great Spring Festival, for the benefit of the sufferers, all the town applauded, and asked how it could help. “You don’t want to see your mother now, do you, boy? No more do you feel like jabbering with Bess at our table. Come over to the hotel, and we’ll lunch together.” “The whale went splurgin’ an’ splutterin’ through the waves, mebbe blowin’ up a big waterspout like we see them doin’ in the jography picters. Then Joner prayed like everything an’ wrastled with the Lord, an’ his prayer was heerd, an’ the whale spit him up on the bank.”.
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